Saturday, 31 October 2020

Impish Delights

Who’d remember these miniatures rich?

Horse’s hairy tail who dared to pull?

Would lost pictures Granny’s needle ever stitch?

Mixed up four hues of Gran’s prized wool?



Grubby little snails in shoes who stored?

Treacle in sleepy ears who liked to pour?

Of insects dead, had the scariest hoard?

Hide naughty pails over innocent door?



Grandpa’s gruff boots, who’d misplace?

Crash biscuit tins, disturb deserved rest?

Who’d steal sniffs from his tobacco case?

Granny’s grand patience who liked to test?



Drove to distraction, his mother dear.

Children whose chuckles once counted four,

Pride glowed in her eyes, when were still clear,

With birthday songs when their voices would soar.



- The End -


© Sultana Raza


Author's note: most people think back to their childhood on their birthdays. Perhaps John Keats thought of his youth with his family, when he observed his last birthday when he was still alive on 31 October 1820 in a small room in Rome. However, little could he have guessed how famous he would become, or that 200 years later, the museum dedicated to his life, Keats House would be closed down in 2020, and suffer such big losses due to a pandemic.

Sultana’s non-fiction/poems have been published in 60+ journals, including Columbia Journal, and New Verse News. Her fiction received an Honorable Mention in Glimmer Train. She’s presented many papers on Keats. https://www.facebook.com/sultana.raza.7

Friday, 30 October 2020

Non-Essentials

My ears reclaimed their virginity

in month seven of the pandemic.

So long left without ornament

they were sealed shut against

shiny blue stones from Sedona.



Soon after, I realised

all my clothes are costumes

for the games of make-believe

that go on outside my house.

So who am I, when I’m not playing?



Behind my mask I dwindle,

cast off non-essentials,

lipstick and lunchtime gossip –

wonder will I emerge

some smooth skinned cipher,

shorn of adornment

a mute maiden with white hair

and a fear of crowded spaces?



Or is there an elemental self

this time is excavating?

I can’t tell; on good days, I can hope so.

May she shine as solidly

as blue stones from Sedona.


Susan Millar DuMars has published five poetry collections with Salmon Poetry. She recently received an Irish Arts Council bursary to support her as she completes her second short story collection. Susan has co-organised the Over the Edge readings in Ireland since 2003.